钢琴家观后感200字英语的简单介绍

海上钢琴师英语读后感50个字

写作思路：首先先表明海上钢琴师讲的是什么故事，再具体讲述海上钢琴师的内容。

范文：

It is a story about spiritual freedom and pure soul.A man called 1900 was born on the ship,then he grew on the ship and died on the ship. The ship called Virginian bears his whole life.

这是一个关于精神自由和纯净灵魂的故事。一个叫1900的人在船上出生，在船上长大，死在船上。这艘名为弗吉尼亚号的船承载着他的一生。

In 1900's time,only once he made a decision to leave the ship and see the world.but at last he turned back.Because he can;t face the infinite city life.

在20世纪，只有一次他决定离开船去看世界。但最后他还是转过身来。因为他无法面对无限的城市生活。

急求《钢琴师》的英语影评

这里找到几篇，仅供参考：

·Based on the true story of one extraordinary man's life in occupied Warsaw during World War II, The Pianist marks the first time Roman Polanski has tackled the subject of The Holocaust, a historical event which directly affected his own life. This captivating, harrowing yet unsentimental account has plenty for movie fans, music lovers and the historically involved.

While giving a recital of Chopin's Nocturne in C# Minor for Polish radio in Warsaw, Wladyslaw Szpilman (Adrien Brody) is interrupted by Hitler's advancing military machine. As the civilised society inhabited by Szpilman and his Jewish family graphically begins to fall apart, Szpilman relies ever more on luck to see his way through the ghettoisation of the Jews, and the subsequent liquidation of the ghetto. Along the way, exactly who is good and who is evil is questioned as we see, in Polanski's words, "decent Poles and evil Poles, decent and evil Jews, decent and evil Germans".

From the early indignity of having to wear identification armbands and being barred from bus seats and restaurants, through the confiscation of homes and property to the indiscriminate killing practiced by Nazi officers, The Pianist feels like a personal experience rather than a director's attempt to summarise every fact of the period. It benefits from the approach.

And as the subject matter would suggest, this film not for the faint-hearted. Scenes of persecution and murder are depicted in chilling detail, while the supporting cast - including Maureen Lipman as Szpilman's mother - are faultless at portraying compelling characters. Brody, however, is the revelation. His cultivated good looks and engaging delivery are more than a little suggestive of Nigel Havers at his best. But after the liquidation of the ghetto, his family's forced departure and Szpilman's escape into the ruined cityscape around him, Brody turns his hand to playing a desperate man with disease-induced injuries and epic quantities of hair. And he's just as convincing - for he never once makes him a heroic figure.

The role of Chopin's exquisite music is of course paramount in the story. Through the central section of the film, which features little dialogue, Szpilman's long battle simply to stay alive is borne out by the lack of music. In one heartbreaking scene, he is put up in a safe house and finds that a piano has been left in it. Yearning to play it but fearful of discovery, he resorts to "air piano" - his fingers playing the piece an inch above the keyboard. And when, later, he is discovered by a benevolent Nazi commander (Thomas Kretschmann), the reintroduction of music into the film as Szpilman plays literally for his life is as compelling a cinematic event as you'll see all year, and one of the film's most astounding.

Brody is magnificent throughout in a performance worthy of a slew of awards, and Polanski's direction is at once restrained and personal, making for a film that sits alongside the best accounts of the Holocaust, including Schindler's List. The accurately rendered sets, based around a recreated complex of Warsaw's streets in the Babelsberg Studio, an old Soviet army barracks, a small town in the former East Germany and the rundown Warsaw district of Praga, convey an incredible authenticity. And Anna Sheppard's costumes for the cast of - literally - thousands display a remarkable attention to detail.

And yet the most astonishing aspect of The Pianist is the story on which it is based, penned by Wladyslaw Szpilman himself. The composer died in 2000, at the age of 88, a few months before production of this film began. Intense, epic and moving, his account of World War II is ultimately one of an ordinary man forced by circumstance to be extraordinary - and helped not a little by Lady Luck. The Pianist is a fitting memorial for the man, his people and the suffering they endured.

·The true story of Jewish pianist Wladyslaw Szpilman battling to survive the Nazi menace in the Warsaw ghetto of World War II, Polanski here draws on his own experience as a Holocaust survivor; one who witnessed his parents being dragged off to concentration camps and one who himself made a narrow escape.

The director turned down Steven Spielberg's offer to direct Schindler's List (1993) because, he insists, the material was too personal and too disturbing. The true horror was just more truthful than Roman felt comfortable with.

Strange, coming from the man who gave the world Rosemary's Baby (1968) and Repulsion (1965).

Still, his patience paid off: Not counting the fevered Oscar buzz around the picture, the diminutive Hollywood exile picked up the Palme d'Or at last year's Cannes and pretty much swept the board at most other critics' awards. (Famous English playwright and screenwriter Ronald Harwood and lead player Adrien Brody have also been lavished with praise across the global circuit.)

Although in the main this movie is cool and detached (much as Schindler's most definitely wasn't), Polanski is mindful to show as much compassion as he is the cruelty. There's no clear cut good and evil here: Good Jews mingle and come to blows with bad Jews, just as good and bad Poles are shown suffering the same predicament.

Care is also taken to show that, maybe, not all the German soldiers were raging psychopaths after all.

Everything is seen through the eyes of our central character, from the beginnings of his lone struggle to the dramatically intensified latter stages of hunger and total destitution.

Brody retains balance from start to finish and underplays the role to perfection, at the same time having us fear for his health.

Great support from, among others, British stalwarts Frank Finlay and Maureen Lipman as his parents add to the overall air of passivity and vulnerability that is finally smashed to smithereens.

Well worth the hype for once.

·THE PIANIST

**** New Roman by Polañski

Reviewer: Artur Kalicki from Warsaw, Poland

I put my signature under the words of Mr. Keizer. However, I do not share the opinion that "The Pianist" is not at the level of "Schindler's List". Though it is rather sure it will not be nominated for Oscar next year.

*****

Reviewer: Jazzo from Canada

I suppose that "happy ending", “melodramatic knockout “ or “Nintendo Games” are recipes for Oscar . No wonder, 99% of Hollywood productions just do that. “Though certainly not at the level of "Schindler's List," "The Pianist" is a worthy Holocaust drama and a welcome return to form for Roman Polanski.-Mark Keizer “ That the reason way, Mr. Reviewer. You should have more Kaiser’s buns before doing any movie’s reviews

***** The Most Important Movie To The Shoah History

Reviewer: Hans Werner from Berlin-Germany

Schindlers List was a story of one German. The Pianist is a story of one Jewish pianist and is a kind of resume of the most important events in the modern history of the world. It is a mistake to put this two movies into one review.

*****

Reviewer: Mack Sacco from California

At the end of the movie, not one person in the large audience stood up to leave...something I have never seen in a Polish audience. No one talked...we all just stayed till the last credits disappeared. This movie is honest without being depressing. If you force me to choose between "The Pianist" and "Schindler's List", I would chose the Polansk production, but perhaps we are talking about apples and oranges. I would agree with Hans Werner's statement that "it is a mistake to put this two movies into one review."

***** Hollywood Hallucination

Reviewer: Non-Hollywood Reviewer from Netherlands/South Africa

Apologies for my biased opinion, but Its really infuriariting to see comments saying that this film is not of the "Schindlers list" standard. Granted - Schindlers List was a skillful piece, fit for hollywood with big name actors and fast-food digestible script and feel. It doesnt come close to the emotive realism, intense artistic sublety and irony of the pianost - a true artwork. As sad a story it was, it was enriching in both a true display of history, art and the human psyche. Personally, the only other film I can think of in this leaugue in this genre is "Life is Beautiful" which although shockingly different in its approach - was layered in the tragedy of truth and the courage of character. Definitely recommend this one.

*** I Must Disagree

Reviewer: Anonymous from Anonymous

Beautifully acted and filmed, the movie provides an accurate chronicle of historical facts, but presents nothing new emotionally, intellectually or historically.

**** Sad But Real

Reviewer: Eitan from Israel

It is good that we have films to remind us of the Holocaust, because it seems that the world is forgetting. It is not Schindler's List, but performed beautifully and delivers the message.

(none) Oscar for Polanski?

Reviewer: Kevin from Anonymous

Maybe he'll come to pick it up in person. Then the cops can finally throw his butt in jail where it belongs. -k-

***** Go See It

Reviewer: Conrad from San Francisco

If you like short, quick and shallow Hollywood stories, then this movie is defiantly not for you. Great movie. Nothing is sugar coated or dramatized.

***** 5 stars for The Pianist

Reviewer: Anonymous from Anonymous

***** A true shock to the system

Reviewer: Kathy from England

Schindlers List was number 1 on my list until I saw The Pianist. This one really does leave you with far more of a feeling of devastation. The tears of the German Officer summed up the utter futility of killing other human beings. The ending is just how it should be, not sugar-coated.

***** A Masterpiece ....

Reviewer: LR/P from Virginia

"The Pianist" is a hard movie to watch, which is as it should be. It is impossible for me to comprehend how anyone could treat other human beings the way the Jews were treated by the Nazis, which is also "as it should be". I don't want to be able to understand the horror. I want to believe that I am too "human" for that. "The Pianist" stars Adrien Brody, Thomas Kretschmann, Frank Finlay, Maureen Lipman, and Ed Stoppard. It was directed by Roman Polanski. "The Pianist" is not "Schindler's List", although both movies deal with the horrors of the Holocaust. "The Pianist" takes place in Warsaw, Poland, and depicts what happened when the Nazis invaded Poland and walled off a portion of the city to keep all of the Jews in one place -- then systematically shipped them off to be killed. "The Pianist" tells the true story of Wladyslaw Szpilman, a composer and pianist, as his family was stripped away while he managed to survive with the help of many people who were, themselves, killed for harboring him. Eventually he was alone and struggling to stay alive, only to be found by a German officer who spared his life and helped him stay hidden because of his music. "The Pianist" is cold, ugly, and full of despair and hopelessness. Yes, "The Pianist" survived -- how else could his story have been told? And at what cost, his survival? Lots and lots of people should not see "The Pianist". Perhaps I am one of them -- but I did see it. I sometimes awake at night, and cannot believe the absolute horror of it. Perhaps "The Pianist" is a masterpiece. Yeah, it probably is. No, it isn't "Schindler's List", but there is no reason why the two must be compared. They are different movies about the same atrocities. Beware -- be forewarned -- "The Pianist" is a very hard movie to watch.

*****

Reviewer: Anonymous from Anonymous

I think we shouldn't forget that this film is based on a real story. It has a happy end because it's just what happened. Somebody had to survive the War and surviving it was a miracle, so the film had to have a happy ending. The another important thing about this film is that it's a German who eventually saves Szpilman. It shows the history in another light.

**** Polanski's Matured

Reviewer: Linda from Memphis

This is the best Polanski film since Rosemary's Baby. He's always been arrested (no pun intended) by what's weird in the world, but this time when he openly shows human horror, it isn't concocted for shock, but delivered with sincerity and respect for the truth. In this way, Polanski is perhaps purified by getting off his chest what disturbed him so deeply when he was a child. It was a quiet film in many places, which allowed viewers to feel the solitude of the lone and lonely Jewish survivor, the pianist.

**** Must See

Reviewer: Danielle from Tennessee

Though not as stylized as Shindler's List, The pianist is just as beautiful in its treatment of painful history. Following the horrors and confusion of the holocost through the eyes of an intelligent and sensitive muscicion, this film touches viewers with its honesty the portrayal of beauty, art, love, family and the best elements of humanity stuggling to survive in the midst of the worst aspects of humanity.Watching these sorts of movies are not "enjoyable." They are necessary.

*****

Reviewer: Frank Hodges from Liverpool

I wanted to applaud at the end of the film

***** Well Done!

Reviewer: Texas Tea from Houston, TX

This movie deserves better than being compared to Schindler's List, or any other movie. It was compelling, without being depressing; it was entertaining without being obvious. It was a good movie, the kind that will stay with me for a few weeks. Thank God countries like England, Russia, and America allied together, and eventually liberated those poor souls (the Polish people as well as the Jews). Thank God England and America still have enough sense to know that allowing history to repeat itself is unacceptable. I think Russia will come around, but Germany and France continue to bury their heads in the sand. Perhaps due to financial ties to Iraq, and their oil. The people of Iraq are as suppressed and tormented as the Jews of 1939 - 1945 in Warsaw were. REMEMBER THAT the next time someone says that the true evil is England and USA. We know where EVIL resides, and it WILL BE DEALT WITH!

***** Excelent

Reviewer: Juan Gluecksmann from Vienna

Excelent!! I was confronted to a reality: in 1938, as a 2 month old child I was saved by my mother in Vienna, and taken to South America. Later, returning to Vienna I could inmagine the horror, which I totally confirmed watching this extraordinary movie. Black and white, adding a sour note, and real scenes, as real you can inmagine.

(none) Rapist

Reviewer: Kristina Peterson from California

I guess it doesn't seem to bother many people that this man raped a 13 year old child, flees the country 25 years ago to avoid punishment, and now is honored. What is our world coming to.

**** 1/2 The Value Of The Music

Reviewer: Judy from Milwaukee, WI

One of the other reviewers, from California, mentioned that the entire audience stayed for the credits at the end of the film; it happened in my theatre too. No one could leave while that magnificent music was playing over the list of credits -- its beauty was a necessary catharsis for the sorrow and anguish and violence and emotional intensity of the film. If I was ever in doubt about the power of music to heal and to inspire and to "make us human", this film validated everything for me. Stunning performances all around - incredibly true-to-life filming with sets and costumes; full of symbolism on every level. Knowing that this film was an adaptation of an autobiography didn't really help to make it easier to watch, though. You knew from the start that The Pianist would live - but look at what he lost, and how many good people died! Some movies are "see-again" films for me; I could never bear to sit through this one again.

**** You Must See...

Reviewer: TOM and friends from FROM POLAND

"Pianist" is one of the best film directed by Polanski. Spilmann's story is told without sugar coating .This film performed beatifully and delivers the message about drama of war. Scenes of film are make truthfully and sadly . We make other people to see the film and we think the actually war is going to end happilly . We agree with decision to get 3 Oscars prize to the film.

***** What is there to say? There are no words.

Reviewer: Anonymous from New Jersey

The Pianist is a moving, stunning, incredibly realistic depiction of the Holocaust. I watched this movie and I just sat there staring at the screen in total awe for ten minutes after the movie had ended. Amazing. Adrien Brody truly deserved that Best Actor Oscar. There are no words to describe the impact that this film has left on me.

*** Yes, but Sadly

Reviewer: S Williamson from CT

I hesitate to write this but it's what I feel. Having seen so many moviea which deal with the holocaust, this one felt a bit empty. Yes the story and directing were great, and Brody did a fine job, too. But I think we could have been shown more about him, than the horrific, yet well known brutality of the nazi regime. I was no longer shocked by the violence I saw, in fact could easily tell who would be murdered next as people were pulled from lines. Terrible to say, to write, but we have seen this all before. It almost seems cliche now. Terrilbe to have happen to viewers. We should never forget. We should know what war is about and be shown in all the goryness we can stomache, but not in this way, for these reasons. Better to have left all that on the cutting room floor, and let us realize where he was from, and what he had been through with a few scenes of flashback.Brody could well have handled haunting details of what had happend to his family, with his facial expressions alone. Other than this, I could have listened to the man who played for brody just play for the 2 + hours. Wise indeed to have let the music play to the end of the credits...Had it been an actual recording of the survivor, well, I'd still be there crying...

***** Proof that the power of music can help someone survive the roughest situations

Reviewer: Rachel from Indiana

"The Pianist" is a wonderful story about one man's struggle to live for his music. Adrien Brody is an extremely talented actor and he played the part of Wladyslaw Szpilman superbly. I am a musician as well (I play the violin and cello) and I am glad that Hollywood has finally made a movie that is true-to-life and gives the perfect perception of a real person in a movie.

·The Pianist

Rated: R

Director: Roman Polanski

Starring: Adrien Brody, Emilia Fox, Michael Zebrowski, Frank Finlay

Genre: Drama

by Ken Hanke

Probably no filmmaker working today is so uniquely qualified to make a film about the Holocaust as Roman Polanski. The director himself lived through those years as a young Jewish man in Poland, his own mother dying in the Nazi gas chambers. It's natural that he should turn his attention to the subject with this film version of the autobiography of pianist Wladyslaw Szpilman.

The resulting film is one of the best – if not the best – on the subject. Though it inevitably invites comparisons with Spielberg's Schindler's List, Polanski's is a very different film, and a more deeply disturbing one that does not get the importance of its subject tangled up with the importance of the film itself. (This is perhaps why Polanski turned down Spielberg's original offer that he should direct Schindler's List.) However sincere and well-intentioned Spielberg's film may be, it's too clearly the work of a man deliberately making a movie in an effort to be taken more "seriously."

Polanski – regardless of how you feel about his work – has no need of proving himself a serious filmmaker. Moreover, Spielberg's film is essentially an outsider's view; Polanski's is an insider's take, and in more ways than one. It isn't just that Polanski was himse

钢琴家 英文影评

The Pianist is an astonishing and harrowing depiction of the breakdown, and restoration, of the human spirit by degrees, made all the more personal in the retelling by Roman Polanski's having lived in Nazi-occupied Poland as a child at the time of the events chronicled.

The Pianist seems more about images than story, largely silent, and even devoid of music, until the end, when we're awash in glorious, redemptive concert.

The film opens in Warsaw in 1939, with celebrated composer and pianist Wladyslaw Szpilman (Adrien Brody) performing the last live radio musical broadcast, Chopin's Nocturne in D, even as German bombs were exploding around him. Finally forced to flee when the radio station is hit, Szpilman rushes home to his family, who have always lived in privilege due to Wladyslaw's status as a musician.

Szpilman and his family are able to escape deportation for a time by working as demeaned laborers for the Nazis, he has a piano player in a Jewish restaurant. When the rest of his family is rounded up in cattle cars and shipped to a concentration camp, he is again ironically saved by his music when he is taken aside by a policeman who admires his work and allowed to remain in the Warsaw ghetto. By now terribly fragile, Wladyslaw must fight for survival in the ghetto through hiding in the underground, censoring his behaviour, and relying on the kindness of old friends and strangers.

Some of the most horrifying and wrenching scenes are those shown in silence: A man in a wheelchair being pitched over a balcony; people in the ghetto being forced to dance for the amusement of the Nazi officers; a starving man trying to wrest a pot of beans from a woman's hands, then groveling on the ground for the spilled food. Moving, too, is the scene where Szpilman is helped into hiding in a flat with a piano. Warned of the need to be quiet, he "plays" with his fingers inches from the keyboard, hearing the music only in his head.

Most effective are the pivotal scenes between Szpilman (once again literally saved by his music, when he is forced to play what he is certain is his last piece) and the German officer (Thomas Kretschmann) who brings him food and a coat (which ironically is nearly the death of him).

The Pianist is a beautifully written (Ronald Harwood), directed (Polanski), photographed (Pawel Edelman), and acted (Brody and all supporting players) tale of devastation and survival, a praiseworthy effort all around.

读《钢琴之恋》有感 英文 120字

一个叫托尼的英国小男孩他家很穷，他有五个弟弟妹妹，他是老大，为了帮助父母养家，13岁从学校出来后就到农场里工作，一个以外的机缘他有了一架旧钢琴，他是个天才，一接触钢琴就可以弹美妙的曲子，以后他就偷偷的练琴，小学老师戈登发现了他的音乐才能，无私的帮助他，免费给他上课，他的农场主老板伍德先生也支持他弹琴。这些在好心人的帮助下，托尼参加了镇上的钢琴比赛并获得第一名的成绩！他走近了音乐学院，他成长为一个钢琴家安东尼埃文斯的，并且当他被邀请到英国白金汉宫为女王演奏后成为了安东尼埃文斯爵士。

小男孩托尼在音乐方面的天才使我想起了王安石笔下的天才方仲永，可他两个的经历不同结果就不一样。托尼工作之余刻苦勤奋的练琴、学琴，使自己沉浸在音乐的世界里，最终扬名天下！而仲永却依仗自己的才华被他的父亲带着四处拜访、炫耀、赚钱，“不使学”，结果落了个“泯然众人矣”的下场。天才必须加上自己的刻苦勤奋才能成才！

托尼出身贫寒，小的时候在学校克拉夫人在音乐课上的唱歌、弹琴，对他有一定的影响，再有就是小镇上偶尔有意大利流浪歌手的弹琴、唱歌，让他有点印象，可以说他几乎没有受到什么很好的音乐教育。他对钢琴的爱恋是内心的、是天才的！光靠天才是不等成功、成名的。戈登老师在托尼的生活中就像伯乐一样，发现了他的音乐天才，并帮助他、教育他。伍德一家人也在托尼的钢琴学习上给予了很大的物质、生活上的帮助。

这个故事给我的启示很多：成才需要勤奋！一个人的成功是多方面促成的，只靠个人是不行的，所以我们要乐于帮助别人，“给人玫瑰，手留余香”！

英语电影《钢琴家》如50词左右观后感英语写

范文：In the film, although Spearman escaped from death again and again with the help of various friends and strangers, in that group of people, human nature is not always simple and great.

The pianist shows how the environment shapes people and makes people grow or distort in the "troubled times" with only terror, loneliness and instinct.

The impact of war on human hearts is beyond our imagination. What is more valuable is that the film lens is extremely calm and objective, avoiding all complaints and sensationalism.

该片中，斯皮尔曼虽然在各种朋友、陌生人的帮助下一次又一次死里逃生，但在那群人里，人性并不都是单纯的、伟大的。

《钢琴家》所展示的是，在只剩下恐怖、孤独和本能的“乱世”里的众生相，环境究竟如何塑造人，让人获得成长或者扭曲，战争对人类心灵的影响超出我们的想象。而更可贵的是，影片镜头极度冷静、客观，回避了所有控诉和煽情。

钢琴家电影观后感

钢琴家电影观后感

钢琴家电影观后感，《钢琴家》观后感作文，写好作文需要反复总结经验，对学生而言作文是很伤脑筋的，作文的内核和内涵无人愿意了解，文采是点睛之笔，好的作文用词不在优美更在准确，看完《钢琴家电影观后感，希望对你有所启发。

钢琴家电影观后感1

这是一部描述二战期间生活在波兰的一位犹太裔钢琴家的故事，导演没有用浓重的炮火和血腥的屠杀来表达战争的残酷，他讲述了一个弱者的故事。

他曾是上层社会的儒雅绅士，是波兰最著名的钢琴家，然而德国人的到来改变了这一切，他们大肆迫害犹太人，使波兰的犹太人从50万直降到6万。影片中的钢琴家一直是个懦夫，他从来没有一丝反抗，他一直忍受、逃跑，经常可以看到他翻箱倒柜地找食物，他要的很简单，仅仅是生存。

看完电影，我经常回想起这样一幅图景，一个高大却虚弱的身体，带着一脸络腮胡子，狼狈不堪地跛行于已被完全破坏的房屋中，时不时地一些凶残的德国大兵目无表情地从空旷的街道上踢踏而过……我在想，这些士兵，他们真的明白这场战斗的意义吗?一张摆在军官桌前的全家福似乎在说，或许只是那个时代，那种环境造成了这一切，军人的职责永远只能是服从。

故事的结尾，一位德军高级将领帮助了这位钢琴家，是真的人性逆转吗?我想或许不是，或许只是因为他知道战争即将结束，或许他经历太多的血腥，需要一些心灵的救赎，我以为他只是一个人，而人心都是肉长的。有人说这段描述是为了煽情，而我了解到这的的确确是真实发生的事实。

听说钢琴家的原型出过一本书，真实地讲述了这段不堪的历史，但由于内容涉及波兰参与屠杀而被禁，很希望能知道书名，有机会一读，我，只想了解那段真实的历史。

影片的名字是钢琴家，但我们却极少听到琴音，或许那个时代不容许美的东西蔓延，因为温柔流淌的琴音会穿越人的心灵，洗涤人们心中邪恶的灵魂，或许那位军官也是被音乐征服了。我注意到这位钢琴师在自由年代弹奏的音乐是轻柔而舒缓的，好似一股暖流在身边环绕。而当他带着恐惧，在饥渴的状态中为那位德国军官演奏时，他手中流淌出来的音乐却似乎在咆哮，在斥责德国人的暴行，他以为这是他最后一次演奏了，懦弱的他用这种方式表达了一个犹太人的心情……德国军官没有怒，他似乎想明白一些道理，其实铁蹄下的沉寂才是最强有力的控诉，他知道他们能征服一个民族的肉体，却永远征服不了这个民族的灵魂……(我很想知道影片中的这几段钢琴曲是什么年代的曲子，原曲表达的是一种怎样的意境)

到此，我还时不时地回想起那个落破的像被缚的耶稣像的钢琴家，他怯生生地走进屋子，怯生生地演奏，他始终不忘抱着那个已经洒了大半的水罐，他实在太需要它了，所以仅管懦弱、仅管害怕，他却始终抱着它，就像守着自己的一笔财富……

我想，或许我们不需要用枪炮去表达残暴，也不需要用所谓壮举来展示人格魅力，一个普通人的一段剪影，或许就能很好地解释整个世界，这样的艺术表达才最真实，最撬动心灵……

有人说波兰人在这场战争中也表现的相当残暴，所以波兰人民不值得同情。我在想时间过去了这么久，过去的就让它过去吧，如何把这段历史真实地还原，让更多的人了解，让这样的悲剧不再发生才是实实在在的。记得影片的结尾处，那位小提琴演奏家帮助钢琴家找寻那位军官，虽然他也曾受过很大伤害，虽然他曾很愤怒向德国战俘吐口水，但他还是以德报怨，这是一种宽恕，对别人，也对自己。记得美国的南北战争之后，林肯总统被杀，临死前说“不要报复”，或许这也是我们这一代人应该学习的。

钢琴家的影片中有许多隐含的历史背景，如果之前不能很好了解，对这部影片的理解就会大打折扣。近期了解了一些二战的历史，但还是感觉不足够，未来要多了解，再回头看这部片子或许有不一样的收获。

钢琴家电影观后感2

前几天闲来无事，便在某奇搜腾电影，翻看翻看着，便发现了《钢琴家》这样一部电影。

第一印象便是这朴实无华的片名，《钢琴家》，便不是说是一个钢琴家或者是一个关于钢琴的故事喽?怀揣这这样的好奇，我观看了这部影片。

142分钟的影片却让看后的我的心久久不能平静下来。可讲的地方太多了，以至于让人不知从何说起……

那就简单说一些吧。

影片的开头是美好的，钢琴家做着自己喜欢做的事，过着自己想要的生活，有了自己心仪的女子，但突如其来的禁犹太令，让原本美好的人生被改写，所有的犹太人被迫搬迁到人为划分的犹太区，受尽侮辱，历尽险恶。犹太人仿佛牲畜一样被军官蔑视羞辱，也被世人所嫌弃。犹太人们被困在围墙中，他们失去了新鲜的面包，更失去了生而为人的自由。 而有些犹太人，不仅失去了自由，更失去了一个民族的节操，他们打骂同是犹太人的.别人而来显得自己高人一等，但殊不知在别人眼里，他们是那低声下气的狗，是比那些失去了自由的人还可怜的人。

这部影片中最让人印象尤为深刻的一幕，德国军官发现了藏身的男主，却没有杀了他，而是听着他的钢琴演奏陷入深深地回忆中，更甚于之后主动帮助男主给之于食物衣物。这位德国军官本性并不是坏的，而是由于战争的残酷而不得不去战斗杀戮，他不想死，所以在感受到钢琴家的求生欲后而引起共鸣。虽然最后他的确是死了，但这不是人性中美好的一面么?

战争，对于这个世界的危害是极大的，而对于一个家庭，对于个人，最痛苦的便是失去家人失去以前拥有的所有，而这些情况，在战争是最为常见的，活下来真的很不容易。影片极其深刻的以一个平常艺术家的亲身经历刻画出了战争的残酷，也表现出了一个人对生的渴望，让我们在跌宕起伏的剧情中厌恶战争而对生活抱以希望。总之，这是一部值得去看值得深思的影片。

钢琴家电影观后感3

印象最深刻的，是瓦列在雪中奔跑的那一段。漫天的白色，远处有行人走过。他们不会明白这个仓惶的男人经历了什么。而他需要多大的勇气，才能迈出那一步。

靠在墙上的时候，惊魂未定的他究竟在想些什么呢。

影片中对于人性的刻画已经被太多文字所赞美。那种客观的'视角，描述了整个时期的状况。客观到了近乎冷酷和精确的地步。

罗曼·波兰斯基导演在这部片子里更多地使用着第三视角转切第一视角，用主角的眼睛去看待战争的残酷。在表现屠杀和局部战争时，丝毫没有含蓄的成分，德军连续近乎荒诞的屠杀的场景被直白地表现出来。在街头无辜被杀害的流民，亲手杀死自己婴儿的母亲，不明白要拿钱做什么却执着兜售牛奶糖的孩子，没有人情的犹太警察，只因为问了一句话而被枪杀的妇女...这些都被审视的镜头表露出来，令人情绪沉重。

这是一首剖析人性的残酷悲歌。

犹太酒吧里，肖邦的音乐和自私地验证金币的商人，瓦列在极端困顿状况下依旧颤动的手指，在脑海里响起的旋律，在饥饿和恐惧中揉搓泥灰的双手，钢琴上端放的德国军服，依旧忧伤、动情的旋律。这些都是细节，而正是细节决定了影片的深刻。

而这部影片真正令我着迷的，则是它独特的视角。

艺术不是奢侈品，它的根基是为了让我们更好地生活，在绝境中让我们更坚韧.战争中幸存下来的人成千上万，每个人遭遇不同。瓦列是一个钢琴家，他有音乐傍身，比别人可能要坚强一点，柔韧一点，淡薄一点。他逃脱死亡的同时也在雕刻着死亡，带给我们一种生的期望，给我们勇气应对我们自己所遇到的一些挫折。

记得上课时，老师向我们分析这首肖邦第一叙事曲。说它是肖邦为了祖国和战争而写下的曲子。那时并不能够理解这其中的含义，匆匆记下了曲式分析要点，还有那些美丽的和声。好吧，该激情的地方，就激情。该柔情的地方，就柔情。当时的想法就是这样。然后到了上课时，老师很不满意地告诉我们，你们的演奏没有灵魂。你要去理解作曲家的感受。

此刻重新看了这部影片，似乎理解了老师想要表达的东西。因为那个德国的军官，居然让瓦列演奏肖邦的曲子。或许它表达了对和平的渴望，对战争的唾弃，然而美的事物终究是不分国界的。