海上钢琴师观后感60英文（海上钢琴师英文观后感80字）

帮忙。写一篇《海上钢琴师》的英文观后感。

Leggenda del pianista sull'oceano,la

Take a piano. The keys begin, the keys end. You know there are eightyeight of them, nobody can tell you any different. They are not infinite. You are infinite. And on these keys the music that you can make is infinite. I like that. That I can live by.

What I didn't see. In all that sprawling city there was everything except an end. There was no end. What I did not see was where the whole thing came to an end. The end of the world...

You get me up on that gangway and you're rolling out in front of me a keyboard of millions of keys, millions and billions of keys that never end.That they never end. That keyboard is infinite. And if that keyboard is infinite, then on that keyboard there is no music you can play. You're sitting on the wrong bench. That's God's piano.

How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one way to die...

I was born on this ship, and the world passed me by, but two thousand people at a time. And there were wishes here, but never more than fit between prow and stern. You played out your happiness, but on a piano that was not infinite. I learned to live that way.

一生与弗吉尼亚号相伴，生于斯,长于斯,死于斯，从未踏上过陆地,即使为了爱情曾尝试过。

没有出生证明,没有户籍身份,说其未曾存在也不为过.

纯洁的心灵和音乐如此的贴近.尘世的浮华,伪装与面具在流动的音乐面前不堪一击.

他的一生,对欲望不以为意,却拥有纯粹的追求;与爱情擦肩而过,却理解更为深刻的美丽，伸手触摸琴键,将人的一生在乐声中灵性的写意出来.在他的眼里,每个人都是一段乐章.

我不认为这是悲剧,即便会流泪。那何尝不是幸福，能够在一生中追求他所追求的.

【海上钢琴师】的观后感谁有？ 英文的 60词

《海上钢琴师》不愧为一部经典影片。它给我们展示了一个生在船上，长在船上，死在船上，只为钢琴而生的人的一生。他将一生所有的光芒撒在个这艘船上，短暂而凄美。

主人翁（名叫1900）对于这艘船的爱恋不舍，可能类似于我们对于故土的一种眷恋。生于斯，长于斯，故土赋予我们生命以及生命里的一切，这艘船同样赋予他人生的全部价值和情感。现实生活中，有些人可能一辈子都不愿离开他的故土，纵然那土地贫瘠，荒凉，甚至充满危险，纵然外面的世界纷繁多彩，金银遍地，他们从不离开故土一步。对于1900，一个孤儿，他的全部世界就是这艘船，这里就是他的的家，他的全部快乐悲伤梦幻激情。可以说他对于这艘船的感情比任何一个人来的都更深沉，更灼热。所以即便是最后一刻，他仍然不会选择离开。

片中最后一段，有主人翁的一段独白，他说他不走，不是因为他站在船板上看到的那些建筑让他感到畏惧，而是因为他看不到世界的尽头。是啊，钢琴的键有始有终，船的甲板有始有终，他可以用有限的键盘奏出无限的乐曲，他可以驾驭这种“有限”，在这里，他就是他。而这个世界呢，没有开始，没有结束，错综复杂的街道，星罗棋布的高楼大厦，有太多的路可以选择，他没有办法去驾驭。驾驭他的人生，他的情感，他的音乐。他只能选择他可以选择，可以驾驭的方式生活，这种方式与世无争，平静自如，不受功名利禄的纷扰。如果一种生活方式，他无法驾驭，他宁可不要！我想这也许是他不选择离开的第二个理由。

他内心的孤独，音乐可知，就如同他的语言，他用它来述说生命，表达情感。其中有这样的一幕，夜晚，在船的酒会大厅，他演奏着，钢琴随着在飓风大浪中左右摇摆船艘，在光洁的地板上，合着音乐的节拍，乎左乎右，时而转圈，时而滑行。让你感受到仿佛他整个人的身心和这音乐，这艘船，这大海早就融合在了一起。他说过，他的音乐和他的人不分开，所以拒绝发布他的音乐胶片。我想，他的内心里，也一定这样笃信，他的这艘船和他的人，不能分开。生命仿佛自他被抛弃的那一刻起，就和这船联系在了一起。音乐，船，他，是“一”，永远无法分开。船的生命结束了，相信他的生命结束，也似乎成为了必然。这也许是他不离开的第三个理由。

对家的深深眷恋，对生存方式的抉择要求，以及早就融为一体的共同的生命，促成了他的悲剧。

然而这真的是悲剧吗？就像戏曲在最高潮处嘎然而止，人生在颠峰时刻隐退，情人们相拥着步入婚姻，我们看到了最完美的一幕，之后呢？看戏曲渐渐索然无味，人生逐渐走向低谷，爱情继婚姻之后埋葬在数不清的家庭琐事里，这就是最真实的世界。他的死，至少震撼了我们每个人的心灵，我们谁也无法想象这样的一位旷世奇才，走下船舶，是怎样开始他平凡的人生，开始变得庸俗乏味，追名逐利。我们不忍心看到这里，导演自然也不会忍心拍到这里。所以从某种意义上讲，这也许算不得是一幕悲剧。

现实生活中，对于别人的选择，我们会感到匪夷所思，就像这部影片一样，可能很多人也不解他的这种选择，但是，我想说，无论是谁，作出怎样的选择，无论在我们看来是多么的荒谬，多么的不明智，多么的让人不解，这都是他的选择。这个选择一定有他的理由，他的思考，你不是他，你没有经历他所经历的，你没有了解他所想的，那么我们唯一可以作的事情，不是述说我们的不解，而是握住他的手，微笑着说一句，Good luck!

喜欢这部电影，喜欢1900，喜欢音乐，喜欢这一片湛蓝的大海。

《海上钢琴师》英文观后感

The legend of 1900

It's an incredible film about a taleny musician. His parents abandoned him on a steam ship which traveled to American from other places.The boy was brought up by a Negro who gave him the name 'Danny Boodmann T.D. Lemon Nineteen hundred .' His dad was killed in an accident and then he showed his talent in piano playing. He became a pianist on the steam boat in a group of 4 to 5 people.He never cooperated and always let his piano be aware of by the people in the dance floor so that other players would stop and look at those noblemen and noblewomen dancing crazily following the music .1900'skill was also well known among the people on the land . He hadn't got off the boat even for one time .He had seen uncountable people go to America to look for their dreams .He thought that the people on the land was too busy and didn't know what they were busy for.He wanted to do what he liked, what was easy ,what could make him happy. He could do anything but be ordinary.He was born on the boat and lived his all life on it .Just like a brief note passed through our ears and disappeared .

"The legend of 1990" Was directed by Giuseppe Tornatore .It was written by Alesscandro Baricco .Tim Roth played the role of 1900. The film was attractive because of its amazing plot ,wonderful actor ,meaningful opinion and the excellent music .The sound of the piano had its moods and feelings .When 1900 met a graceful girl ,the sound became lyric.When he was arround by the poor who were enthusiastic ,the sound became brisk .When he played alone ,the sound became sad .The changeable appeared any time in the film. 1900's last song was silence .Before a dull explosion ,his fingers moved in the air ,played his last note.

The film let me think a lot on life .I'll definitely recommend it to you .Let the music start ,telling you the legend of 1900.

海上钢琴师 英文影评 谁能告诉我一下！~

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英文影评

He's a man so brave, that he can play the imaginary piano when exploded with the ship he was born, lived and died in. Yet he's a man so scared, that he cannot face the infinite city life we are living everyday. He's a man so intelligent, that he can play the piano as if he has four arms (or I'd rather say, he has God's arms). Yet he's a man so stupid, that he chose to gone with the wind while he's other choice could be marrying a beautiful woman and having a child. He's a man so perceptive, that he could use his music language to describe exactly others' feelings. Yet he's a man so insensitive that he'd rather disappear after a gentle kiss on his beloved while she's asleep than unburden himself and tell her "ILU".

But one thing is for sure: this man is a real artist--pianist. Only a man like him can dance with the piano in a terrifying storm. Only a man like him can give up the first two bouts of a duel, and beat the competitor entirely, convincingly, potently in the last bout. Only a man like him... can have such a beautiful story to tell...

This man is Danny Boodmann T.D. Lemon Nineteen Hundred, who is also known as simply "1900". A man never existed. He has never set foot on land in his entire life. No ID. No passport. No Visa. No parents. No birthday. Nothing in the world belongs to him except his music.

So he played. For the first class guests. For the third class members. For the girl at the window. For the darkness of the night. For the heartbeat of his own. For the sea-- his eternal home.

He had once wanted to get off the ship. To meet his girl and to hear the voice of the sea, as he always wanted to. He hugged friends goodbye and waved and went down. But his pace became slower and slower, and finally stopped. As he described at the end of the movie:

"Nineteen Hundred: All that city. You just couldn't see the end to it. The end? Please? You please just show me where it ends? It was all very fine on that gangway. And I was grand too, in my overcoat. I cut quite a figure. And I was getting off. Guaranteed. There was no problem. It wasn't what I saw that stopped me, Max. It was what I didn't see. You understand that? What I didn't see. In all that sprawling city there was everything except an end. There was no end. What I did not see was where the whole thing came to an end. The end of the world... Take a piano. The keys begin, the keys end. You know there are eighty-eight of them, nobody can tell you any different. They are not infinite. You are infinite. And on these keys the music that you can make is infinite. I like that. That I can live by. You get me up on that gangway and you're rolling out in front of me a keyboard of millions of keys, millions and billions of keys that never end, and that's the truth, Max. That they never end. That keyboard is infinite. And if that keyboard is infinite, then on that keyboard there is no music you can play. You're sitting on the wrong bench. That's God's piano. Christ! Did, did you see the streets? Just the streets?There were thousands of them! And how do you do it down there? How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one way to die... All that world is weighing down on me, you don't even know where it comes to an end, and aren't you ever just scared of breaking apart at the thought of it? The enormity of living it? I was born on this ship, and the world passed me by, but two thousand people at a time. And there were wishes here, but never more than fit between prow and stern. You played out your happiness, but on a piano that was not infinite. I learned to live that way. Land? Land is a ship too big for me. It's a woman too beautiful; it's a voyage too long, a perfume too strong. It's a music I don't know how to make. I could never get off this ship. At best, I can step off my life. After all, I don't exist for anyone. You're an exception, Max, you're the only one who knows I'm here. You're a minority, and you better get used to it. Forgive me, my friend, but I'm not getting off."

He didn't get off. That's what he said and he did. As I mentioned above, he died with the ship, in the explosion. I believe at this point of the movie, no body can hold their tears back.

By the way, this movie is Directed by Giuseppe Tornatore, who is also the director of Nuovo cinema Paradiso and Malèna. Some people say the legend of 1900 is the director's compromise to Hollywood-style-commercial movie. Well, I know nothing about this kind... It's a excellent movie. Much I could say.

海上钢琴师英文观后感

海上钢琴师英文观后感

当认真看完一部作品后，大家一定收获不少吧，不能光会看哦，写一篇观后感吧。可是观后感怎么写才合适呢？以下是我精心整理的海上钢琴师英文观后感，仅供参考，大家一起来看看吧。

海上钢琴师英文观后感1

Tim Roth stars in the first English language film by Cinema Paradiso director Giuseppe Tornatore. A fantastical, historical fable about a gifted pianist born and raised on a cruise ship

Though Italian director Giuseppe Tornatore's Oscar-winning Cinema Paradiso was one of the surprise hits of the 80s, subsequently his profile has been low. Perhaps in an effort to rectify this, here he presents his first English language film, a lavish and unashamedly sentimental fable based on a monologue by Italian writer Alessandro Baricco. Given a ruthless studio edit before its release, more than once it threatens to drift off into whimsy, but remains on course, thanks to the firm presence of Tim Roth in the title role.

Told in flashback, it's the story of Danny Boodmann TD Lemon 1900 (Roth)， so-named because he was found as an infant in 1900, lodged in a crate of lemons aboard a luxury cruise liner. Growing up at sea, it swiftly bees apparent that 1900 is a gifted - possibly even genius - pianist. His legend spreads and jazz giant Jelly Roll Morton (Williams) even es aboard to hear him play. Years later and narrator/former band member Max Tooney (Vince) is pawning the trumpet he blew alongside 1900 when he hears the ship is to be sunk. Could it be that 1900 is still somewhere on board, mooning over a mysterious beauty known only as 'The Girl' (Thierry) while working up a lonely rag?

To an extent it's a film uncertain about its own destination and some wobbly dialogue means 1900 himself remains a bit of an enigma. En route, however, are some great set-pieces such as 1900's knuckle-busting keyboard duel with Morton and his ride round the room on top of a piano. Ennio Morricone's score ensures the music is at least as important as the sumptuous visuals, and is supplemented by some great jazz piano numbers by Scott Joplin and (the real) Jelly Roll Morton.

海上钢琴师英文观后感2

Morning everyone,today i will introduce a film to you name is the legend of 1900,its not talk about stories happened in 1900 ,its mainly about a pianist who was born, lived and died in a ship and never left the ship with a special name his name is 1900 orphan was adopted by a black man working on the ship

To be honest i have download this film for a long time ,but i didn't watch it ,because i think it won't be very interesting a pianist ,what wonderful story can happen to him ?

But recently i just opened it by accident ,firstly it was really very

dull ,no famous film star ,no interesting plot,no wonderful finally my eyesight was caught by the pianist , He's a man so intelligent, that he can play the piano as if he has four arms,and also he's a man so stupid that he chose to stay on the ship gone with the wind and storm while he can ashore and bee the most famous 's more ,at the end when the ship should be destroyed he still refused to leave and finally died with the ship.

Someone may see this film as a tragedy,but is it really one ?maybe the end was indeed so sad ,most of us would feel its a pity to see his died one thing is for sure: this man is a real artist--pianist. only a man like him can dance with the piano in a terrifying storm. only a man like him can give up desire of reputation and money on the land. only a man like him... can have such a beautiful story to tell... It is really difficult to image what will happen if 1900 set foot on land ?start an ordinary life and bee vulgar ,be absorbed in chasing fame and fortune ,we don't want to see that ,so the story just stop here ,even painful and sad .

Just let us remember him A man never existed. He has never set foot on land in his entire life. No ID. No passport. No Visa. No parents. No birthday. Nothing in the world belongs to him except his music.

标签: 观后感 钢琴师

海上钢琴师影评英语

1900年1月1日，船工丹尼在弗吉尼亚号游轮舞厅的钢琴上捡到了一个弃婴，他将这个小孩起名叫1900。1900从小在丹尼细心的关怀和善意的谎言中自由健康地成长。丹尼因意外事故不幸去世后，1900一次无意间来到舞厅外，他第一次见到钢琴。于是1900的传奇正式开始！

人间如船上的乘客一般，上船，下船，再上船，下船。如此周而复始。对于1900来说，整个世界一览无余。所以他虽身在海上，但却早已看尽了陆上人世间的繁华与落寞，辉煌与凄凉。

最后这个天才要回到天堂去了，天堂里有钢琴吗？在轮船被炸毁的前一刻，1900的双手在凭空弹奏，那纤巧的手指随着背景音乐的节奏在上下起伏，仿佛在扣响天堂的大门。 翻译:1st January 1900, ship crew Danni picked up a abondonded baby on the piano inside the hall of the ship， and he named this baby 1900. 1900 grew up happily under the care and white lies of Danni. After the accidental death of Danni, 1900 came to the hall by chance and he saw the piano for the first time. Now, the legend of 1900 begins.

Life is like the passangers on the boat, abroad, getting off aboard and getting off again, in this sequence. to 1900, there is nothing more about life. Although he lives on the sea, but he has looked through all the honour, lonliness, gain and fall of life amoung the men on the land around.

at last, this talented man is going backto the sky, the heaven. Are there pianos in the heaven? at the time of the explosion of the ship, 1900 played his hands in the air, the beautiful fingers move as the background music flows, as if knocking on the doors to heaven.